Bob wrote:AMM, the answers to your questions lie in the unspoken dancer's code. We all train or bodies very hard as dancers, with a lot of self-discipline. In order to do that, we must open ourselves, both emotionally and physically, in very vulnerable ways. Ballet clothing is constructed to physically allow this kind of flexibility and openness. But in so many ways, it is very revealing.
Bob,
I can see that you are very sensitive about the perceptions the public may have about dancers as well as male skirt-wearers -
hypersensitive, I would even say. But an "unspoken dancer's code"? Really!
I am a former dance student, although I never attained the proficiency to dare call myself a "dancer", having started rather too late in life (college) to develop the skills very well. I took modern with a local troupe and basic ballet in a private studio.
Admittedly, I haven't taken a dance class since 1985, and don't know how things may have changed in the last two decades. But for the few years when I did take, I never encountered anyone in the company who was uptight or especially apprehensive about being in public in whatever garb they wore in the studio. For me, that was usually a T shirt and tights, later on, a uni. Gym shorts in summer. In fact, since the studio was in a loft above a bar and lacked any real changing facility beyond a tiny bathroom, one couldn't help but be in public coming and going.
Perhaps it was fortuitous that the studio closed at nine, before the real drinking hours cranked up, that a small parade of people in tights and/or leotards wasn't an issue. Naturally, the males escorted the female dancers after dark. But for me, it caused no unease to be recognized as a dancer as I pedalled past the bar on my bike after class - usually still in tights, T shirt and Birkis. Would you find that exhibitionistic? Did I violate the "unspoken rule"?
I suppose I got the same feelings from exposure in dancewear that many correspondents on this site have suggested they get from skirting in public - a slight rush of fluster (can fluster be a noun?:think: ) whenever someone noticed me - but nothing to compare with the joy of movement in the studio, or the happiness I felt whenever I finally got a combination to flow.
Anyway, being publically identifiable as a dancer just wasn't an issue for me and never seemed to be for the others I knew.
The result? Dancers don't wear dance clothing on the streets. They just don't. You only wear dance clothing in the studio or as a costume for a public performance. To break this code is to put yourself at a level of vulnerability that is not appropriate for the public.
I wouldn't have dressed in tights to go out to the movies or mall, but it never troubled me to make a stop to pick up something on my way to or from the studio, or to stop off for a visit with a friend from class. Never felt threatened.
As for whether boys or girls like wearing tutus --- certainly many do. But only in the studio or onstage. As for non-dancers who wish to wear tutus --- you can always do it at home. You can also always learn to dance, which is infinitely more rewarding in the long run than just wearing a tutu at home. If you want to wear a leotard and pink tights and a little skirt in the studio while you are working on learning to dance, very few people will stop you (really).
Men would not have worn pink tights or little skirts in the studio way back when I was there - not even the ones who were flaming gay. Guess things have really changed.
Personally, I find pictures of dance clothing worn by non-dancers to look rather funny; non-dancers don't know how to hold their bodies to make the clothing look good. Unlike streetwear, which is a fashion choice, dance clothing is not. It is something you must earn the right to wear --- at the minimum, by studying dance. There are no shortcuts because if you don't earn the right to wear it, you just look silly. Pointe shoes are earned through 3-4 years of hard preparatory study. A tutu is earned through even more years of hard work.
I still have a drawer full of stuff from that era - dancewear and vintage T shirts. I wouldn't mind looking silly in it even now - but I doubt if any of it fits me after 18 years of marriage to a very good cook!
Although I do like the Trocks, I never tried on a tutu or pointe shoes - they don't call me Sasquatch for nothin'!
And as a dancer, I find it a little strange to wear dance clothing at home. I have plenty of opportunity to do so, and I just don't and have no desire to --- although I love the way I look in it in the studio. If I haven't changed out of the leotard and tights by the time I get home, I do so at home.
I do still wear some grungy, ratty old ballet shoes as household slippers! Life is short, Bob, but good. Lighten up, buddy!
Sasq