I find nothing wrong with neckties when properly done. Contrary to popular belief, they do not have to strangle and can seriously jazz up an otherwise dull look. In instances where I've need to make a powerful impression, and was interested in flaunting the "norms", I've worn silk skirts, dress shirts with ties to match the skirt in question and waistcoats (black goes with everything, and 1860s period waistcoats which do not have lower "points" work splendidly with skirts) which make a spendidly masculine take on a blend between men's "power suits" and women's "power suits". I have presented project reports attired so before a worldwide corporate audience before and the response form said audience was all about the content and not one bit about my "odd" attire.JohnH wrote:I agree with [Skip] about the rather esoteric fashions that Juan showed us. That styling is not mainstream. Now, how about some skirt suits that can be worn in a business context with perhaps [shudder] a tie. After awhile I would replace the plain shirt and tie with a ruffled shirt that men used to wear.
It's not just about the skirt -- it's all about the entire ensemble.
Juan is showing us things that exist mainly for art's sake and for the aesthetic of "high design". These are not looks that are designed to be worn by everyday folks on the street; these are designed specifically to call attention to the "creative genius" of the designer and nothing else. I suspect it's better to look at these creations as "art" rather than anything practical that one would wear, say, to work. Art has its place; art, well done, makes us ask questions about the world around us and how we perceive it. I'll posit that this is healthy, even if it is sometimes a bit jarring. Thanks, Juan!